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Gretchen Flesher Duggan

Street Address
Tacoma, Wa
253-359-7797
Writer, Northwesterner, Make-Believer

Gretchen Flesher Duggan

  • About
  • Blog
  • Published Works
    • "Our Sister Opal"
    • "White Secrets"
    • "Loneliness Creatures"
    • "Grass At My Feet"
    • "Graces, Fates"
  • Works in Progress
  • Contact

In Print

February 19, 2017 Gretchen Duggan

I'm so happy to have a story published in the current issue of Alaska Quarterly Review! Many thanks to the editor, Ronald Spatz, for taking the time to read my story last year, and for selecting it. When Mariesa Bus and I started working through my stories together, this is the first one I shared with her. It was after she edited "Graces, Fates" that we decided to workshop the whole collection. Her insightful edits helped open up places in the story I hadn't seen before. Thank you, Mariesa.

My sister, Siri (English Major and teacher!), dedicated time to a close reading of my collection last year and her thoughtful notes and comments are helping guide me through what I hope are my final revisions. This publication is a good step along the way to sharing what I've been working on; maybe there will be more to come. 

If you'd like to support Alaska Quarterly and read my story, visit their site and look for the Winter/Spring 2017 issue which you can order there. I also have an extra copy, of course, for good borrowers nearby! 

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Good News

July 22, 2016 Gretchen Duggan

Earlier this year Alaska Quarterly Review accepted one of my stories for publication. I've been meaning to share the good news, but kept saving it for another day. Today's the day! Publication is still a ways off, so there's nothing to see here yet. The editor expects "Graces, Fates" to appear in the Fall/Winter 2016 or the Spring/Summer 2017 issue of the journal. In case you'd like to read my story and support the journal, I'll share details here as we get closer and I know more.

The story is about March - daughter of Meera, granddaughter of Grandma Vee, great-granddaughter of Great Gusty - come home to Vaughn Bay at the death of Gusty. The photo above reminds me of Vee making flower wreaths in the garden, something I had the pleasure of doing this spring. 

Contrary to the name, Alaska Quarterly is published twice each year out of the University of Alaska Anchorage, and they take submissions the old-fashioned way - a paper copy mailed in a manila envelope with a SASE included. This is how I sent out nearly all my stories after graduating PLU, but in recent years have found most publications request submissions electronically. The new way is convenient and saves paper and probably helps readers on the other end stay organized, but I felt glad to seal and stamp the big envelope again, as if Jo March or Anne Shirley were by my side. Clicking "submit" doesn't feel quite the same way. 

My sister, Siri, is currently reading through my collection of stories. She's nearing the end, so soon we'll meet up and talk through her impressions. I'll have some work to do again after that. Maybe, maybe, maybe I'll send the whole group out to some small presses and see what happens before the year is out. If no one wants it, I'll find another way to print it so family and friends can share my stories. This isn't the first year I've thought would be the year to complete the collection, but maybe it will be the one, and who knows what will happen next? A novel, a children's book with my dear friend Roshni, poems? Whatever it is, I think I can accept that I will move through it slowly too. That seems to be my way.

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Still Working

December 3, 2015 Gretchen Duggan

I'm not fast. I haven't shared anything here for over 5 months, but I'm still working. I made it through transferring all the edits to new, clean documents for my stories, and I've finished revising 4 of the group of stories I'd set out to work on. Four others I'm still revising. I'm going back and forth between them, removing words, changing what a character says, hearing that she isn't really saying it at all, deleting what I thought was true, but isn't. 

Other news: I lost my camera and found it again after several months. I attended the first annual Write in the Harbor conference for writers at the beginning of December. I took notes and listened hard for good advice. 

The photo above is an old one. It's me picking huckleberries with Whirlie before she ever had a haircut. I like it because picking huckleberries is slow, and pleasurable. It adds up to something. It might not be important, but it is worthwhile. And that's how I think of writing, and rewriting, and creating, and removing, and doubting, and coming back again. 

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Progress

June 30, 2015 Gretchen Duggan

The alternate title to this post, relating to the photo, is "It Isn't Here Anymore." Sometimes that's all progress has to offer. There was something, and it isn't here anymore. The house I'm sitting in front of, 3 lots down the beach from where I grew up, isn't here anymore. This house used to float on water, then it settled down and became a summer home. I used to play here when the family came. I've always played here when they were gone too, headed to the marshy backyard to pick pussy willows, thrown sticks over the creek for my dog. When the tide is very high, and we've had heavy rain, neighbors have been able to row a boat around in the yard.  It's been a month or two since the house stood and not quite two years since I sat for the photo. But even then there were rumors that it would go and that's why I wanted the picture. When I knew it was gone, I put off walking by the bulkhead for a couple of visits. Then, I decided I could manage it. It's gone and I miss it, but I feel all right. I feel more all right than I expected and I think it may be because of how much that house exists in my mind. For years and years I've dreamt of it and it is always different, it is never the same house, and it is always that house and I can always let myself in. 

I knew it was time to write a new entry here, so I've been thinking about what's being going on since I last wrote. Some of it has just been the progress that is time moving forward. But there has also been what I could call making progress. In the last couple of months Mariesa Bus finished an editing round of my complete story collection. She handed the big printed manuscript back to me at our last meeting. Thank you, Mariesa! Some stories we've passed back and forth and workshopped and talked through over coffee, and dinner, and wine and I've been revising those. Others needed less attention. There are some I've only begun to revise, and that's the work I'm heading into. 

My progress has been getting organized. There are handwritten notes from Mariesa and from me all through the manuscript, and then there are the versions I have on my computer, and there are newer documents that already take into account the notes on the manuscript and are more up to date than the printed draft, and it was all starting to make me feel like I didn't know which way to turn. So, I have a list. As I work through each mark on a story, I create a new document and store it in a new folder so that all the current drafts have a home together. I'm in the middle of that, but I'm feeling better now. My list is also a list of which stories are finished, which need a few edits, which need deep revisions. I have a list and I have a plan. Since creating those I have had fewer mornings when my first thought, before I am fully awake, is that I am a disappointment. Anything that arms me against that is progress that is more than just moving onward in time.  

Sometimes, my writing gets such a short end of the stick there's barely anything to grab hold of. When people ask me about it, my answer could be "It isn't here anymore." But I know that's not true. It is here, and part of that is due to how much I love it, and part of it is due to the encouragement of friends, and part of it also is due to the attack on my unguarded mind in the early mornings, the sinister shadow of failure. It looms and I am threatened into action. One day I'd like to write an entry about that shadow titled "Progress: It isn't here anymore."

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